Joseph Beuys. Untitled (Hirsch und Sonne) 1974
Joseph Beuys Untitled 1958
Joseph Beuys. Nu 1952
Joseph Beuys. After the Death
Joseph Beuys. Aktrice 1956
Joseph Beuys. Torse 1949-1951
Joseph Beuys. I like America and America likes me 1974
Joseph Beuys. Queen bee (for bronze sculpture) 1958
Joseph Beuys. Flower Nymph 1951
Joseph Beuys. Actresses 1958
Joseph Beuys. White Woman in the Grass (Fairy) 1954
Auguste Rodin. Jardin des supplices 1900
Gustav Klimt. Fritza Riedler 1906
Gustav Klimt . Allegory of Sculpture 1889. encil, watercolour
Gustav Klimt. Mermaids 1899
Gustav Klimt. Judith 1901
Gustav Klimt. Portrait of Gertha Felsovanyi 1902
Gustav Klimt. Lady with hat and feather boa 1909
Gustav Klimt. Adam and Eve 1917-1918
Gustav Klimt. Portrait of Johanna Staude 1917-1918
Gustav Klimt. The Bride 1917-1918
Marcus Reichert. Crucifixion 1991. Oil and charcoal on linen 188 cm x 157.5 cm
Marcus Reichert. Ophelia 2012
Lucien Clergue. Jean Cocteau as The Poet and the Sphinx, Testament of Orpheus, Les Baux de Provence 1959
Via artnet
Lucien Clergue. Jean Cocteau et son autoportrait 1959
Via artnet
Lucien Clergue. Jean Marais with Jean Cocteau on the set of Testament d’Orphée 1959
Via theredlist
Alphonse Marie Mucha. Everybody’s Magazine 1906
Vincent van Gogh. Sorrow 1882. Black chalk
Alphonse Marie Mucha. Study for a bank note 1919
Via retro-vintage-photography
Mucha began to take photographs in the early 1880s, probably in Vienna, with a borrowed camera. It was not until he had gained some recognition in Paris and sufficient funds that he purchased his first camera. Mucha’s photographic output grew dramatically after his move to a large studio in the rue du Val de Grâce in 1896. In the new studio, where he had considerably more light thanks to large windows and a glass ceiling, he photographed on a virtually daily basis.
Between 1896 and the early 1900s Mucha made a remarkable series of photographs of the models posing for him. The use of photography as an inexpensive medium for preliminary studies was common among Mucha’s Parisian contemporaries. However, Mucha’s photographs are more than just an alternative to sketches because they also capture the inimitable atmosphere of Mucha’s studio – a world of art in its own right. It was in his studio that that Mucha entertained countless Parisian artists, writers and musicians. It was also the setting for one of the earliest cinematic projections given by the Lumière brothers, whom Mucha had met in 1895, and for psychic experiments with Camille Flammarion and Albert de Rochas. In the background of the studies of models, examples of Mucha’s work may be seen, surrounded by his collection of objets d’art, books and furniture, many of which survive to this day.
The majority of Mucha’s Parisian photographs were not taken for a specific project – he preferred to improvise a number of poses in front of the camera, creating an archive of variants from which he could select what he considered most suitable for the subject of each new commission. However, some photographs were obviously directed, with his friends and models posing as characters for book illustration. Later this practice grew into a part of his experimentation with his models to express his philosophical ideas through theatrical poses and gestures.
Mucha’s theatrical approach culminated in his preparatory work for the Slav Epic canvases. Before working on each canvas Mucha produced numerous staged photographs documenting costumed models posing under his ‘theatre’ directions. From these photographs he selected appropriate images and synthesised them to create a complicated historical event on a single canvas. Although the images were intended as studies for his final paintings, Mucha’s approach to image-making has much in common with filmmaking
(source texte: muchafoundation)
Alphonse Marie Mucha. Study for a bank note 1919
Via retro-vintage-photography
Alphonse Marie Mucha. Models posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Jugenstil Prag Portraits, Prag 1910. Via auction.fr
Alphonse Marie Mucha. Photographic study 1900
Via muchafoundation
Alphonse Marie Mucha. Study for a Decorative Panel 1908
Via luminouslint
Alphonse Marie Mucha posing a model, Paris, c. 1900
Via livejournal
Alphonse Marie Mucha. Model 1908
Via yarportal.ru
Alphonse Marie Mucha. Model reclining on the couch in Mucha’s studio rue du Val de Grâce 1899
Via muchafoundation
Alphonse Marie Mucha. Photographic study 1899
Via muchafoundation
Alphonse Marie Mucha. Photographic study 1898
Via muchafoundation
Alphonse Marie Mucha. Photographic study 1897
Via muchafoundation
Alphonse Marie Mucha. Etude 1897
Via muchafoundation
Alphonse Marie Mucha. Berthe de Lalande, Mucha’s mistress, in Mucha’s studio, Rue du Val de Grâce, Paris 1896
Via muchafoundation
Alphonse Marie Mucha. Paul Gauguin playing Mucha’s harmonium in his studio, Rue de la Grande Chaumière, Paris 1893-1894
Via muchafoundation
Alphonse Marie Mucha. Paul Gauguin 1893
Via muchafoundation
Alphonse Marie Mucha. Mother and child, Prague, study for the poster Russia restituenda 1922
Via muchafoundation
Alphonse Marie Mucha. Maruska posing as russian peasant woman for Woman in the wilderness 1923
Via muchafoundation
Alphonse Marie Mucha. Models posing as struggling figures for The introduction of the slavonic liturgy 1911-1912
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1902-1903
Via muchafoundation
Alphonse Marie Mucha. Ballet study, model dancing nude in Mucha’s studio rue du Val de Grâce 1901
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1899-1900
Via muchafoundation
Alphonse Marie Mucha. L’atelier du peintre Rue du Val de Grâce, Paris 1897
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Self-portrait in his studio, Rue de la Grande Chaumière 1892
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Ballet study, model dancing nude in Mucha’s studio rue du Val de Grâce 1901
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1900
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1900
Via muchafoundation
Alphonse Marie Mucha7. Model posing in Mucha’s studio rue du Val de Grâce 1900
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1900
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio, rue du Val de Grâce 1901
Via muchafoundation
Alphonse Marie Mucha. Ballet study, model dancing nude in Mucha’s studio rue du Val de Grâce 1901
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1900
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce 1900
Via muchafoundation
Alphonse Marie Mucha. Model posing in Mucha’s studio rue du Val de Grâce
Via muchafoundation
Alphonse Marie Mucha. Untitled (Maude Adams) 1909
Via mutualart
Alphonse Marie Mucha. Model with hand pose 1908
Via mutualart
Alphonse Marie Mucha. Untitled (Study of nude) 1910
Via mutualart
Alphonse Marie Mucha. Untitled (study of a woman) 1918
Via mutualart
Alphonse Marie Mucha. Model for Documents Décoratifs, Paris, c. 1900
Via mutualart
Alphonse Marie Mucha. Study of a model 1905
Via mutualart
Alphonse Marie Mucha. Study for Rose
Via mutualart
Alphonse Marie Mucha. Study for the Bosbia-Hercegovina pavillon at the World Fair 1900
Via paulcava.com
Alphonse Marie Mucha. Model for Figures Decoratives 1901
Via paulcava.com
Alphonse Marie Mucha. Study for Figures Decoratives, rue du Val de Grace 1901
Via paulcava.com
Alphonse Marie Mucha. Girl in red. Huile sur toile
Alphonse Marie Mucha. Lilita 1890
Alphonse Marie Mucha. Jaroslava Mucha
Alphonse Marie Mucha. Spring night
Alphonse Marie Mucha. Portrait of Jaroslava (Jarca), Mucha’s daughter
Alphonse Marie Mucha. Jeune fille aux rhododendrons
Via mutualart
Alphonse Marie Mucha. Untitled (Maude Adams) 1909
Via mutualart
Alphonse Marie Mucha. Model with hand pose 1908
Via mutualart
Alphonse Marie Mucha. Untitled (Study of nude) 1910
Via mutualart
Alphonse Marie Mucha. Untitled (study of a woman) 1918
Via mutualart
Alphonse Marie Mucha. Model for Documents Décoratifs 1900
Via mutualart
Alphonse Marie Mucha. Study of a model 1905
Via mutualart
Alphonse Marie Mucha. Study for Rose
Via mutualart
Alphonse Marie Mucha. Study for the Bosbia-Hercegovina pavillon at the World Fair 1900
Via paulcava.com
Alphonse Marie Mucha. Model for Figures Decoratives 1901 Via paulcava.com
Alphonse Marie Mucha. Study for Figures Decoratives, rue du Val de Grace 1901
Jean Cocteau et Charlie Chaplin à Saint-Jean-Cap-Ferrat.
Scan personnel hors série Télérama, décembre 2013
Max Ernst. Hommage à Rimbaud 1961. Eau-forte et aquatinte
Via amorosart
Paul Delvaux
Paul Delvaux. The meeting. Dessin
Paul Delvaux. Le duel des squelettes. Gravure
Paul delvaux. La vénus endormie 1932
Paul Delvaux. Pompei 1970
Paul Delvaux. Intimacy
Paul Delvaux. Woman with lace
Norman Lindsay. Sans titre 1919
Norman Lindsay. Promise 1919
Norman Lindsay. La toilette 1920
Norman Lindsay. Lydia 1919
Norman Lindsay. Puppet dance 1933
Norman Lindsay. Julia’s monkey 1920
Norman Lindsay. The pool 1934
Norman Lindsay. The butterfly
Norman Lindsay. The C sharp minor quartet
Norman Lindsay. Whispers 1920
Norman Lindsay. A bathing afternoon 1920
Norman Lindsay. The woman i am. The woman i was. The woman i will be
Norman Lindsay. The song
Norman Lindsay. Innocence 1926
Norman Lindsay. A woman with a unicorn in a forest interior
Norman Lindsay. Girl and swans
Norman Lindsay. The Blue Shawl
Alfred Kubin. Illustration 1900-1903
Alfred Kubin. La promenade 1904-1905
Alfred Kubin. Le saut de la mort 1902
Alfred Kubin. Every night a dream visits us 1904
Alfred Kubin. Earth, mother of us all
Alfred Kubin. L’oeuf 1901-1902
Man Ray. La femme et son poisson 1938
Man Ray. La femme et son poisson 1941
Jarek Khaal Kubicki. Speedpainting 2013
See also: Jarek « Khaal » Kubicki
Jarek « Khaal » Kubicki
See also Jarek « Khaal » Kubicki
Rembrandt. La négresse couchée 1658
Jean Cocteau. Sans titre (histoire amoureuse) 1926. Collage, technique mixte sur papier, tête sculptée. Scan personnel du catalogue Exposition Cocteau, Centre Pompidou 2004
Jean Cocteau. La peur donnant des ailes au courage 1938. Dessin sur drap dessiné, graphite, craie noire et crayon sur coton. Scan personnel du catalogue Exposition Cocteau, Centre Pompidou 2004
Armand Rassenfosse. Lecture érotique 1899
Armand Rassenfosse. Femme en robe noir 1893
Armand Rassenfosse. La jeune sorcière 1897
Armand Rassenfosse. Illustration pour le Vin du solitaire, poème extrait des Fleurs du mal de Charles Baudelaire. Estampe 1899
Armand Rassenfosse. L’ennemi. Illustration pour lr poème de Charles Baudelaire
Armand Rassenfosse. La marchande de masques 1917
Armand Rassenfosse. Le bonnet hongrois 1914
Armand Rassenfosse. Poster pour le Salon des Cent 1896
Le Salon des Cent est une exposition d’art qui s’est tenue de Février 1894 à 1900 dans le hall du journal La Plume dont le Directeur Fondateur fut Léon Deschamps et qui avait pour ambition d’exposer les nouveaux créateurs en dehors de toutes écoles, sans jury, ni médailles.
Armand Rassenfosse. Projet pour une affiche. Dessin à la mine de plomb rehaussé de craies de couleurs
Armand Rassenfosse. Coquetterie 1895
Armand Rassenfosse. Blond, ou nu assis 1894
Armand Rassenfosse. Nu 1894.
Armand Rassenfosse. Nu assis.1900
Jean Marais dans un costume conçu par Coco Chanel et Jean Cocteau pour « L’oedipe roi » 1937
Scan personnel du hors série Jean Cocteau, Télérama décembre 2013
DantéBéa 